(note: it’s not deja vu, this is an updated review! It’s existed in various forms)
(note 2: DistroKid replied to a few points! See below)
I was skeptical about DistroKid, the music distribution service that’s quickly making a name for itself. The guy behind it likes to tout the fact that the founders of his main competitors have endorsed his service. Any kind of high profile recommendation makes me immediately suspicious. The fact that the website is nearly devoid of details did not help.
It’s okay. I signed up. Paid my $19.99. Found out the basic plan didn’t include some things I wanted, like setting prices and release dates. You get a grace period where you can get a refund and upgrade, so it’s not too bad, but I do wish they’d mention that up front.
Uploading your music for distribution to stores is pretty straightforward. You select how many tracks you want, upload to each slot and fill out details, add your cover, choose your stores, and send it on. This is where we hit the first problem.
Their uploader is…bad. It works, as long as your connection is reliable. Mine wasn’t at the time. If your connection goes out during upload, it just stops and never retries. It doesn’t save any of your information, so you have to put it all in again. Blech. What is this, 2004?
Aside from that, it’s about what I expected. They have a referral program. I sold one subscription within 20 clicks, so either I got lucky or they’ve done a lot of work refining their sales copy. It’s one of the few affiliate programs that won’t make you feel like slime. Payments take too long. Months is just not reasonable in 2018.
Spotify and Google Play were the first to get my music up. iTunes came next. Tidal was extremely late: emails telling me they got my music up came in six months after I submitted it. All the publicly shared music sales reports I’ve found show a steep dropoff after iTunes, Google Play, and Spotify, so it barely matters.
DistroKid does what it says it’ll do on the sales page: sends your music to the stores, gets you paid. Simple. However, I cancelled my account once I got my last payout. Patreon is working better for me: make music, post it to people paying monthly, repeat. I make almost as much in a month here as I did in almost a year on DistroKid.
Speaking of which, I make music and various tools for music makers! This is why I now recommend you give your money to me instead of DistroKid. You’ll probably have more fun playing with my presets and MIDIs than obsessively checking streaming stats. :)
Update June 27, 2018: DistroKid responded when I posted the review on Twitter.
- Tidal wasn’t late getting music in the store. The email I got was from when DistroKid turned on a new thing to get updates from Tidal, so I just never got a notification before.
- The uploader is a direct connection to AWS. I understand they want to limit how much they hold on to before sending it off to the stores, but at least saving all the metadata would be handy. Upload problems probably aren’t all that common, so it may just not be worth the engineering effort.